g The Film Panel Notetaker

Monday, June 29, 2009

NewFest 2009- "Pop Star On Ice" Audience Q&A - June 11, 2009

Pop Star on Ice
Screening and Q&A
June 11, 2009
New York, NY


David Barba, James Pellerito, Paris Childers and Johnny Weir. Photo by Brian Geldin.



The audience responded with great enthusiasm for NewFest’s closing night film, the documentary Pop Star on Ice. After the screening, directors David Barba and James Pellerito as well as Johnny Weir and Paris Childers came to the stage for a Q&A. The discussion was moderated by NewFest’s Documentary Programmer, Cameron Yates. Audience members included Johnny’s mother Patti, Aunt Diane, Johnny’s Angel Sue Anderson, and fashion designer Richie Rich.

Q: In the film people point out that you have internal struggles holding you back. Do you agree with that? Are you any closer to resolving that?

Weir: I hope so. (Audience laughs)I think that every person has this sort of jumble of people inside them, as crazy at that may sound. I think there is a struggle especially in my sport because it’s a very technical very athletic sport. I’m a little more free-spirited, a little more artistic. To harness one side to match up with the other side its very difficult but I have a very strict coaching regimen at the moment, as you can see in the movie how to the point Galina (current coach) is. I don’t have a lot of opportunity to double think something or go to one side or another. She just says exactly what I need to do, and that’s what I do because that’s what a coach should do. By the end our relationship Priscilla (former coach) and I were very close and I knew how to push her buttons and she could push mine so it was difficult to have a good strong coaching relationship. But with my new coaches it’s taken a new direction because they can harness in all this crazy. (Audience laughs)

Q: Audience member asks about the homophobia in the US compared to Europe.

Weir: There seems to be an internalized homophobia in the North America, whereas in Europe, they have more of an open mind. They appreciate when you can make something beautiful. Here, they worry about the image that surrounds that beauty, they worry about this is going to mean to them, or to the people watching them, or to the children. (Audience laughs) It’s difficult to be different in this federation but if I’ve done nothing else I want to make it easier for people to come up and to be crazy, and to be artistic, and go on the ice and do something that they feel and that they love, not just doing something for points.

Q: Audience member asks about masculinity and figure skating, and the public criticisms directed towards Johnny.

Barba: There was an article in Canada talking about how they needed to make male figure skating more athletic and particularly more masculine. This came out quite recently and it was after we had locked the picture. I think it’s a situation in figure skating where ladies skating is really the focus of skating. And differentiate themselves from the ladies the men want to be seen as athletic. I think what Jamie and I love about Johnny is that has both, and he isn’t afraid to have both. I hope Johnny never stops having both. (Audience claps.)

Childers: I think that it should all be blended together. There should be nothing that defines us really. What is masculine? What is feminine? Someone tell me. Seriously. (Audience claps) Figure skating is not masculine or feminine so who the fuck cares?

Weir: These comments came from a man who I once saw on television wearing purple pajamas and ice skating - with karate chop moves - to the Bruce Lee story. (Audience laughs.) There were gold frogs on his costume and all of that business. That’s who made these comments. What people perceive about masculine and feminine is their own perception. I clearly am not the most masculine person that you’ve ever seen before…but my style is mine and that’s something that I’m proud of. I’m not like anyone else like purple pajamas. Purple pajamas there have been thirteen of them. I’m the one, that’s me. How boring would figure skating be if there was no music, there was no sparkle no razzle dazzle? Nobody would watch it, not that we have the biggest audience at the moment – so everyone needs to watch please. (Audience laughs) Figure skating is what it is…masculine, feminine, beautiful, athletic…that’s my sport and that why people love my sport. There’s all this talk about masculinity and making men into jumping machines and all these manly man things. I mean I am not throwing a football. I will not have a can of pork and beans on the ice, I go out there and I wanna be pretty. I will fight to the death to be pretty. (Audience laughs and loud applause and a “Yes!” from FPN’s Kelly Deegan)

Q: Was it difficult making this film with the national skating association? Did you have any trouble?

Barba: Actually we didn’t. The American Federation have been incredibly generous to us, as well as the International Union. It was a process.We were nobodies we kind of crept in and tried to prove ourselves…we slowly built trust. We showed them what we were trying to do was top bring more people into figure skating. I think that’s what Johnny does is he brings other types of people into figure skating. It’s always been positive.

Q: How did the project come about did you approach Johnny and if so what was his initial reaction?

Weir: So they were filming a documentary about figure skating because it is a very interesting world. There are so many different people in it. It’s kind of like a crack house with rhinestones and glitter. They were following it and they fell in love with a beautiful young boy from Pennsylvania whose name was Johnny and they approached this said Johnny. That was ridiculous just now…they approached me at my home rink and they called me into a meeting and wore their little jackets and they were very business like and prepared. They told me they wanted to follow me around and show what it is to be a real figure skater, a real athlete. So I talked about it with my mom, because my mom and I go over everything together and we decided why not? We were fast friends.

At this point Weir asks the filmmakers a question.

Weir: Can I ask you guys what you’ve learned? It’s been a long time, I want to see what you’ve learned about first of all your jobs and careers, and just about life in general. (Audience Laughs)

Pellerito: Honestly we learned to pace ourselves.

Barba: I think what we learned was that the wrong approach was to say to Johnny ‘we’re going to move into your bedroom with you and sleep on the floor and shoot you every minute of the day.’ I think we would’ve burned out after a day and we never would have gone here. I think we tried to understand what was important to show, we tried to build a relationship with Johnny, his family, and Priscilla (his coach at the time).

Pellerito: and Paris

Barba: And Paris of course. We loved Paris from the beginning and he loved us from the beginning, so that wasn’t hard.

Weir: Beautiful, thank you. (Audience laughs)

Q: How much pre-production went into this or did you just find him and start going? (The FPN’s Kelly Deegan)

Pellerito: I feel like the whole thing was on the fly.

Barba: There was no pre-production. Other filmmakers might have this experience, you just start doing it. I guess we were doing the figure skating documentary. Then we saw Johnny and we said ‘that’s the documentary we should be doing.’ Thank god Johnny said yes. So we just kind of went, and we just kept on going. We never stopped we just kept doing it.

Barba concluded that Weir’s road to the 2010 Olympics will be portrayed in a new 8-part documentary series on Sundance Channel that will premiere next January. It is currently titled Be Good Johnny Weir.

Be sure to check out our One-on-One interviews with filmmaker James Pellerito, Johnny and Paris, below!

Labels: , , , , ,

Sunday, June 28, 2009

NewFest Pop Star on Ice Interviews with Johnny and Paris

NewFest
Pop Star on Ice
Interviews with Johnny Weir and Paris Childers
June 11, 2009
By Kelly Deegan

Paris Childers and Johnny Weir. Photo by Brian Geldin.


This is a quick bonus for fans of the film, figure skating, and fabulous men.

After the screening I was very excited to speak to the stars. First I cornered Paris. We discussed Nina Flowers, stereotypes in gay film, MAC makeup, Liza Minnelli, and a few things about Pop Star on Ice.

Deegan: The lines that you had were so good.

Childers: I’m known for one-liners. They just come around every now and then

Deegan: Why is it such a big deal if a figure skater is gay? I don’t get it!

Childers: There are closeted people in figure skating. I think it’s seen as such a feminine sport you have to prove you’re not gay because everyone perceives femininity for being gay.

Deegan: Did you enjoy experience?

Childers: I did. It was great. We got up early this morning and went to MAC to get our makeup done. It was weird seeing it on the big screen. I’ve seen it at home. Did you guys like the film?

Deegan: Oh my god I loved it.


A few other people got to Paris, and I swiftly moved to Johnny before anyone else got to him. He graciously spoke to me, and I am still charmed.


Deegan: What did it feel like to have the cameras around you all the time?

Weir: The only time I ever get uncomfortable is when I have a pimple. That’s the only time I feel uncomfortable, I have no problem being myself. The great thing about the movie is that nothing was scripted, except obviously putting us in the bubble bath.

Deegan: Yes but the conversation going on in the bubble bath I assume would occur on other occasions?

Weir: I am crack house crazy.

Deegan: Yeah me too. I really related to the part where you and Paris were dressing up and taking pictures of yourselves. I was all, “That’s what me and my friend do!”

Weir: Fantastic.

Deegan: So um, are you still filming?

Weir: Yes we’re still filming it. They’re going to film me leading up into the Olympics. We’re getting ready to go to Canada to shoot the choreography for my new programs. They’re troopers. They spend a lot of time in the ice rink filming things that nobody else wants to see.

Deegan: Do you participate in the production?

Weir: If I remember something or I see something in a playback that’s beautiful and I want it in there, I’ll tell them I want that in there - and they’ll do it because they have too. (Laughs) In general they are very talented.

Deegan:
Fabulous.

Labels: , , ,

Friday, June 26, 2009

NewFest 2009 Closing Night Awards

NewFest 2009
Closing Night Awards Ceremony
June 11, 2009
New York, NY

NewFest Acting Director Lesli Klainberg. Photo by Brian Geldin.

NewFest handed out its 2009 awards before the Closing Night presentation of David Barba’s and James Pellerito’s documentary on figure skating champion Johnny Weir, Pop Star on Ice. The Film Panel Notetaker team scored interviews with Pellerito, its fascinating star Weir, as well as his best friend Paris (named Best Supporting Actor in a Nonfiction Film 2009 by Michael Tully on Hammer to Nail).

Award presenters included Rose Troche, Basil Tsiokis, David Kwok, Heather Matarazzo and more. And the winners were:

NewDraft Screenplay Competition Award:
“The Most Famous Woman in the World,” screenplay by Kerthy Fix & Craig Harwood
“Hannah Henri,” screenplay by Akiva Penazola

Audience Awards:

Short Film: “Dish,” directed by Brian Harris Krinsky
Documentary: Florent: “Queen of the Meat Market” (Work in Progress) directed by David Sigal
Narrative: “Mississippi Damned,” directed by Tina Mabry

Jury Awards:

Special Jury Award: John Hurt (Quentin Crisp) - “An Englishman in New York”
Best Short Documentary: “Kaden Later,” directed by Harriet Storm
Best Short Narrative: “Countertransference,” directed by Madeleine Olnek
Best Feature Length Documentary: “Prodigal Sons,” directed by Kimberly Reed
Best Feature Length Narrative: “Light Gradient,” directed by Jan Kruger

Breakout Performance:

Mireille Perrier - “Out of the Blue”
Gustaf Skarsgard - “Patrik 1.5”

Labels:

Tuesday, June 09, 2009

State of the Movement - NewFest - June 6, 2009

NewFest 2009

State of the Movement Panel Discussion

June 6, 2009

New York, NY


NewFest commemorated the 40th Anniversary of the Stonewall Riots in New York City’s Greenwich Village with a panel discussion sponsored by In the Life Television at the Logo Lounge. Members of the LGBT media and advocacy organizations gathered to open a dialogue that put into perspective the issues, the historical benchmarks, and the progress that the movement has made over the past 40 years and how it continually affects and empowers us as a vital and vibrant diverse community. Below are highlights of that discussion.


Moderator:

Katherine Linton, TV Producer/Host & Director, Follow My Voice: With the Music of Hedwig


Panelists:

Michelangelo Signorile – Radio Show Host, Sirius XM & Author/Journalist

Angel L. Brown – Founder, Queer Black Cinema

Ibby Carothers, Marriage Equality New York


Linton: Where did we have pivotal moments in our movement?


Signorile: I think it’s been a series of having these ideas of what victory would be…In the 1970s, we were coming off the empowerment of the Civil Rights Movement, the sexual revolution…Just to have the ability to go out and meet people and not getting arrested by police…was a victory…and then AIDS came and I think people realized we hadn’t really won all that much…It became an issue that raised the bar of what are goals are…What about the fact that our relationships aren’t recognized?


Brown: I was just talking to my producer about that and we feel that it’s just the beginning….We have a long way to go…So many people are still getting beaten just for their sexuality.


Carothers: I come from a unique perspective as a straight ally…It’s a growing sector.


Linton: When we talk about our community sometimes, we’re not always on the same page. How do we come together as a “community” with the same goals?


Brown: That is a good question. What is the community? Who identifies with the community?...With the situation happening out in California, a lot of people of color got blamed for that…A lot of the time, people of color feel like we’re not exactly in that whole community and basically build our own community…Is marriage at the top of our priorities of what we’re fighting for? It’s not just marriage, it’s also healthcare…LGBT youth of color are one of the largest groups of homeless people out there. We also have police brutality…To me, we’re all LGBT people. We’re just all gay people period. At the end of the day, you’re walking down the block with your partner who happens to be Caucasian and you’re black, they’re still going to know you’re gay…We should be in this together and really focus on communication.


Signorile: I agree and just want to expand on Proposition 8. A lot of people were so disappointed and they looked for scapegoats…Absolutely there was outreach to people of color and the Hispanic community as well, but in fact, the polling was distorted broken down by income level, white people with the same income as most Latinos or African Americans voted the same way.


Linton: Let’s talk about expectations and disappointments. In 1992 after 12 years of Reagan and Bush…we then had (Clinton) who’s our champion, but what happened there?


Signorile: I think there was after Reagan and Bush this idea that we were really a part of moving that era out of power and bringing Bill Clinton in…The Christian Right was still enormously powerful. The Republican Party was still exploiting homosexuality…I think we were all blindsided including President Clinton on how they would all be used. We came to realize we don’t have the kind of support and the kind of power we think we have. We’re a small minority and at the end of the day, we will be tossed aside if it’s politically expedient…We have to remember that we’re a small minority who continually need to step up and speak out loudly. One of our biggest weapons is what’s going on here, the media…We have been able to get our message out and are incredibly resourceful.


Carothers: To add to that, Twitter and Facebook are available to young people to galvanize more people.


Linton: In the 1990s, we galvanized to say “we are Americans.” It was the military, marriage, even the Boy Scouts. We had to prove ourselves as family.


Signorile: I think AIDS did enormous things for us and against us. Obviously, it’s horrible and traumatic and took the lives of so many people and caused enormous heartache and conflict for us as a movement, but it also created a whole new way of organizing and really brought so many people out of the closet. It taught us that being out and being open is the most important thing, because that’s what ultimately brought attention to our families…who we are. That pushed a lot of public figures and celebrities to come out…It really did help to define who we are in the American media.


Brown: It’s slightly different in the people of color community…There is not a lot of representation of us out there…We can’t really say they’re out unless they out themselves. That’s why a lot of LGBT of color are homeless because they choose to come out…We have a lot more at stake…That’s why Queer Black Cinema is showing different images to our communities and letting them know we have families and live our everyday life just like anyone else.


Linton: It often takes tragedy to get us in the streets. Anita Bryant united us in the 1970s. We had AIDS in the 1980s. We had Matthew Shepard in the 1990s. Is Proposition 8 that moment for us now?


Carothers: I think it’s certainly put a spotlight on the issue that wasn’t there before. I think it was a wake up call to make it clear that organizing has to be part of the message and more effective. Collaboration between the partnerships has to be that much more effective in order to get the message clearly out there. I think one of the tragedies about Prop 8 in terms of education was that people that were for equality voted yes thinking they were voting against it, but were voting for it…It's necessary to talk to everyone you know and for them to talk to everyone they know and have those one-on-one personal conversations.


Brown: I personally feel the whole Prop 8 is a slight distraction of what’s really happening. Don’t get me wrong. Once I have the opportunity to vote for gay marriage, I’m going to vote yes…One of the films that we’re pushing is Jumping the Broom that shows you the perspective of black LGBT people…Yes we should have equality, but that’s not one of our main issues that we need to be focusing on…Maybe this is a way to talk about police brutality. This is a way to talk about more healthcare…I would like to see more people of color just connecting with the LGBT community at large period.


Carothers: I see your perspective. From my perspective marriage equality relates to homophobia in the streets, and schoolyard, and healthcare facilities etc. They're connected.  For those reasons, I see it as a priority of the movement. Marriage equality says culturally and legally that all families are equal, and therefore that all family members (children and adults alike, regardless of a person's sexual orientation and gender) are deserving of and responsible for equal respect for life choices, including if they chose to marry or not (... everyone has equal freedom to choose to create marriages and families or not). This awareness of equality/mutual freedom drives at the core of homophobia and ignorance.


Signorile: I just want to say that I, too, think Prop 8 was a distraction for some of the reasons that Angel gave. Katherine put the question out there, are these moments like Anita Bryant and AIDS…I’m sick of responding to moments, number one. Number two, those are moments that we couldn’t control where we had to rise to the occasion. We were being responded to. Anita Bryant is a response to us because of our wins. Prop 8 was ours to lose and we blew it. We lost it and we need to acknowledge that…Think about all the money that was spent on Prop 8 and we lost it. That money could have been spent on so much more important stuff. Now we have to spend it again to try to win this again…We did a bad job. We got to copy the groups in California, and nationally did not articulate the message properly. They allowed the Right to do what it did and we went back to Anita Bryant, which is to use children as a weapon against us and we ran away from it instead of taking it on…In the end, people do get out on the streets and protest, but where were they before Prop 8? Where was the media? I criticized some of the luminaries in the media who are gay and lesbian who weren’t focusing on Prop 8 until we lost.


Linton: Where is this movement today? The statistics about our youth have not changed, in fact they’re getting worse. It’s shocking that our youth are homeless. We’re focused on gay marriage. How do we shift that?


Signorile: I think it’s very difficult to control a movement. This is the most multi-faceted extraordinarily diverse group imaginable. We talked a little about how homosexuality plays a role in different racial or ethnic groups, but then there’s transgender people and what transgender people need. There’s hate crimes…It affects us differently by age and how we structure our relationships…What’s been brilliant about it and is also its downside is it’s really about 25 movements. There’s nothing else like this. If you go and talk to the people organizing around hate crimes legislation, they are incredibly organized. If you go up to the transgender people focusing on transgender laws, they’re going to be organizing. Everybody’s pushing. Just the other day we saw the United American Families Act debate in Congress. It was the bill that came out of nowhere because people who are in bi-national relationships said we have to do this now. The major gay groups were not even involved with this. Senator Leahy just decided to take it on…I do think the issues affecting the next generation of LGBT youth is something that is getting lost in the shuffle. It’s kind of like we have created this world for them where there’s a lot of opportunities, but there’s also a lot more hatred that’s out of the closet, too. We’re telling people to come out, come out, come out, so they’re coming out at 13 or 14 and there’s not the support there. We owe it to them now…to make sure it’s safe in schools. I think personally this has to be our goal for the next generation in every community.


Linton: We always have to be vigilant of the role of the religious right in schools. Because of the effectiveness of groups like these, they are using children and saying “Look at these homos recruiting our children at 12 years old. They want to teach you that gay marriage is OK.” We think that we have a victory with Obama, the Right is on us, are we at risk of becoming complacent?


Carothers: We can’t afford to be complacent. We must refute the religious right's lies, both by engaging in personal one-on-one conversations, as well as in the media. In truth, marriage equality does not "push" marriage to children; it neither advocates that people should or should not marry; it says that every person has the equal freedom to choose to marry, and that gender neutral civil marriage is OK for everyone equally (... that all genders and all sexual orientations are equally acceptable in society). Reiterating what I said earlier when young people, of every sexual orientation, see that all families are respected, they see that they are validated as individuals ... and it is this awareness of equal validation and mutual respect that counters the core of homophobia and ignorance.


Signorile: Even in Massachusetts where you think that there’s full civil rights for (LGBT) people…and yet…they’re still blocking Internet sites in schools. Blocking information to kids about sexual orientation under the idea that it’s about sex. Still preventing kids from learning who they are. It is about the schools. It is about the religious right organizing fiercely in the schools to push their agenda. I think that’s where we really have to focus in terms of the future…In the 1980s, they built their movement by going onto school boards and that’s what we have to do.


Linton: What the Right Wing has on their side is a better focused message…fear.


Carothers: To address this fear, is to address with them what it is they’re afraid of and put them to task in defining what is their fear. They are choosing to be afraid. There really isn’t anything to be afraid of. 


Signorile: I think we do have a really potent rallying pride that will always in the end blow them away because ours is really what’s right. We are about people who don’t have rights wanting their rights…They have to really create their message very carefully…We don’t have to manufacture anything. We have a force of what this country is about on our side and we change minds everyday. As we’re seeing, it’s slowly shifting even on the issue of marriage. I think we need to be out there with that message. For us, it’s more about getting people motivated. Once they get out there, it all takes care of itself.

Labels:

Monday, June 08, 2009

"Florent: Queen of the Meat Market" - Sneak Preview Screening at NewFest

NewFest 2009
Sneak Preview Work-in-Progress Screening
Florent: Queen of the Meat Market
June 6, 2009


Photo by Kelly Deegan.
NewFest welcomed filmmaker David Sigal to show a rough cut sneak preview of his feature-length documentary Florent: Queen of the Meat Market, about charming and provocative restaurateur Florent Morellet whom last year closed his legendary diner in New York’s Meatpacking District. Through thick and thin, even when he learned that he was HIV positive, Florent seemed to have a passion for entertaining and feeding his colorful clientele, as well as a creative flair for political activism. They came not only for the great food, but also for the wild and crazy entertainment from drag queens to burlesque to comedy. It was an unusual and fabulous extended family. Sigal brings to life the humble beginnings of Florent in 1985 until its bittersweet closing in 2008 due to the extraordinary spike in rent. The film shows not only Florent (the man and his restaurant), but the people who have worked there over the years reminiscing about all the memorable and crazy moments that occurred there. Among the interviewees in the film are Julianne Moore, Isaac Mizrahi, Diane von Fürstenberg, Michael Musto, Sylvia Miles, Jacquie Hoffman, Murray Hill, Nora Burns, David Rakoff, Penny Arcade and many more.

Sigal, Florent, and other collaborators on the film came to the stage for a Q&A that NewFest Documentary Chair Cameron Yates moderated. Sigal mentioned to the audience that this was the first time Florent has seen the film, and Florent said it was wonderful. Florent looked sharp in vibrant pants that were a hue which seemed to mix fuchsia, magenta and lavender. Sigal also handed out a questionnaire to the audience to fill out to provide their feedback on the film, as it’s still a work in progress.

Yates asked Sigal how he become involved with Florent in making this documentary. Sigal said he’d been a customer, not one of those middle of the night people, but more of a breakfast person. The more he got to know more about Florent, the more he got to admire what he’s done for everybody. He was a role model.

One member of the audience asked Florent what he’s doing today since the restaurant closed and what’s become of the space? Florent jokingly replied that he’s never heard that question before. But for real, he tries not to talk or to give information as much as possible about the space. He thinks it’s great that the restaurant had a 23-year life. He realized that it had an end and it was kind of an enjoyment. Now he’s working on other projects, but nothing is set in stone. He would like the next place to be a restaurant with a cabaret with the same suspects involved. He’s tired of “doing the French cancan on the counter.” He’ll also continue to work on his maps. He has been working on memoir writing with a teacher and prophesized that one day their may be a book about him, but not till after he dies. “Retirement is exhausting,” he said and the audience laughed with him.

- Notes by Brian Geldin and Kelly Deegan

Labels: , , ,

NewFest 2009 Comedy Shorts

NewFest 2009
Comedy Shorts
June 6, 2009
New York, NY


The first time I went to NewFest in 2005 I saw the Comedy Shorts, which were utterly hilarious. Standouts were Irene Williams: Queen of Lincoln Road, Standing Room Only, and Kiki and Herb on the Rocks. Fast forward to 2009, and I’m back for more. While I didn’t find myself laughing out hysterically like I did the first time, there were a few impressive showings that are worth the attention. Perhaps the most blatantly gay and funniest film there was Queerer Than Thou with its rye take on sexual orientation and gender identity. And the most prolific and clever film was the mockumentary Revelations, by Tom Gustafson, the same director who brought us last year’s magical and musical Were the World Mine. Revelations is a satirical look at a real-life hate group family, often referred to as “The G-d Hates Fags” family, with an actress portraying the matriarch of the family videotaping herself in the closet confessing as to why she really hates the gays.

During the audience Q&A, Gustafson said he’d been fascinated by this family for quite some time and he tried to figure out what the best way would be to deal with these people. He originally thought he’d try to make a feature-length film of it, but decided to go with the short instead.

Kyle Thomas Coker, director of Astoria, Queens, said his film is about “creating your New York family.” He was inspired by moving miles away from his home in Texas to New York City (in the film the characters move to New York from Kansas). “My friends became my New York family,” he said.

Kenny Hillman said of her film Don’t Mess With Texas that they were “looking to explore our own prejudices in rural communities.”

Madeleine Olnek who directed Countertransference, said she’d seen a book about gays and lesbians and their therapists and there was a section about countertransference, when the therapist projects onto the patient, and that’s not supposed to happen.

Kate Brandt, director of Tools for Fools, said she’d been talking about the high price of dildos. What if someone sold second-hand sex toys? They wanted to explore this area of lesbian sexuality and bring it into light.

Queerer Than Thou director Ramses Rodstein said that basically the whole cast of friends was playing versions of themselves and poking fun at the stereotypes and the idea that someone can be more authentically queer than the other.

Labels:

One-on-One Q&A, Jacqui Morris, Director - "Mr. Right" - NewFest Opening Night Film

One-on-One Q&A
Jacqui Morris, Director – Mr. Right
NewFest Opening Night Film


The 2009 rendition of NewFest, the New York LGBT Film Festival, kicked off Thursday night at the SVA Theatre with Jacqui Morris’s British rom-com Mr. Right.

NewFest Acting Director Leslie Klainberg took a moment before the film began to thank the people and sponsors who’ve contributed and supported the festival. One such person thanked was SVA Theater head Gene Stavis, who told her last fall in his office before the theater underwent renovations, “I really wanted to build this theater for NewFest.” She thought he meant for small festivals like NewFest, but Stavis clarified, “No, I wanted NewFest to have a home in Chelsea.” Klainberg also took a moment to thank outgoing NewFest Artistic Director Basil Tsiokis, who had been with the festival for 10 years.

Morris, who had just arrived three hours earlier to New York for her first ever visit, was asked to introduce herself to the audience. It was brief, and she charmed us all with her lovely British accent. She had the audience laughing when she closed with “Hope to see you in the bar afterwards.” After viewing her film Mr. Right with an enthusiastic audience she answered a few audience questions. To summarize, the film had an excellent production value on a low budget. This was achieved through her work as a casting director, and using friends very nicely decorated homes. She completed shooting in 23 days. Many audience members had questions about the soundtrack which consisted of covers of famous songs that were markedly different from the original versions. Morris said, “Universal music was great about the music. George Michael loves the film.” The Gossip covered (Wham!’s 1984 hit) Careless Whisper and singer Beth Ditto of The Gossip is also behind the film. Morris noted “Music does date film. People like to hear familiar music, so we used music everybody knows but with a twist.” Morris spoke with The Film Panel Notetaker’s Kelly Deegan after the screening for a One-on-One Q&A.


Mr. Right Director Jacqui Morris enjoys her opening night party at NewFest. Photo by Kelly Deegan.


Deegan: What was it like to be part of NewFest?

Morris: To us, NewFest was going to be "the" festival. I was absolutely thrilled when we got accepted by NewFest, let alone the opening night film.

Deegan: I don’t even feel this is a film that just needs to be in gay festivals. This needs to get a wider audience. How are you marketing the film?

Morris: What we really want are people like you to say that. Logo is going to put it out on their channel, which is fantastic. But this should be in the mainstream. We’re on the cusp of it at the moment. Women particularly like this film, because a lot of the issues are very relevant. Women like gay men…A friend of mine said ‘gay is the new black in America.’ You’ve got this liberal America now that’s just desperate to jump on the bandwagon of any minority group, because they really want to understand it. That’s what we’re trying to do with it. To normalize it.

Deegan: Who wrote the story?

Morris: My brother (David Morris) wrote it.

Deegan: The title sequence in your film was so unique and interesting. The various retro patterned background and moving silhouettes were fantastic. Who designed them?

Morris: Thank you. I chose the patterns, but someone else animated them.

Deegan: I’m a Britophile myself. I love things all British. For this movie to be British, I was very excited. And the fact that George Michael loved this movie, that’s very amazing! It seems like you have a lot of important supporters that should help you build a network.

Morris: What we’ve also got is in the UK is an ad man named Trevor Beatty, very cutting edge work. We took the film to him and said we want an advertising campaign that ties a straight audience in, particularly men, because we knew that women would love it. That was a given. We sort of knew that gays would like it, but let’s try to get in with the most blue-blooded straight fellow. [Beatty] has come up with the most brilliant campaign, which is “Mr. Right, he’ll make you query yourself.” Are you man enough to go see a gay film? We turned it into a dare-go-see film. We’ve got this online...spoof documentary that’s going to be released over the net in installments. It’s about this quaint old village in the UK where all the men turn gay because they’ve watched Mr. Right. It’s really funny, and that’s going to get it into the mainstream. There’s also an important message and the way to bring it out is through humor.

Deegan: It’s great to see a movie with a lot of quick-witted Britsh humor that we don’t get to see a lot of here.

Morris: We do get a lot of your good TV programs…but you also get a lot of our good comedies. [Mr. Right] isn’t a big, silly belly laugh Richard Curtis like comedy. It is quite a sophisticated film.

Labels: , ,

Sunday, December 07, 2008

Reflections on 2008 and Top 10 Favorite Panel Discussions and Q&As

2008 saw the birth of the One-on-One Q&A, where I interviewed a number of filmmakers including Lucia Small and Ed Pincus (The Axe in the Attic), Leah Meyerhoff (Unicorns), Paul Krik (Able Danger), Fritz Donnelly (To the Hills 2), Phillip Van (Come Wander With Me), Sue Williams (Young & Restless in China), Daniel Robin (My Olympic Summer), Josh Koury (We Are Wizards), Lucía Gajá (My Life Inside), Tambay Obenson (Beautiful Things), Dawn Scibilia and Alan Cooke (Home), Richard LeMay & Jason Brown (Whirlwind), and Paul Lovelace & Sam Douglas (The Holy Modal Rounders: Bound to Lose).

New to the contributing notetaker team was Erin Scherer (
Are You From Bingo?), who helped me tremendously at South by Southwest, and contributions by aliases Majimafia and Ultradevotion. AMPeters and Jennifer Warren were back with more notes this year, as well. I also want to thank my friends Adolfo Doring and Amanda Zackem, whose film Blind Spot played at the Woodstock Film Festival, for taking me to the mansion on top of the hill :)


And before I forget, thanks to IndieGoGo for making The Film Panel Notetaker one of its resources, to indieWIRE for listing it as one of their Blogs They Love, Infincine and any other blog or website that linked to here.


I made my first trip to Austin, Texas for SXSW and a return trip to Silver Spring, Maryland for Silverdocs, while also staying on the home front for the New Directors, New Films, Tribeca Film Festival, New York Film Festival, IFP’s Independent Filmmaker Conference and Woodstock Film Festival. I also made appearances at a number of very-well programmed film series, screenings, and discussions including Stranger Than Fiction, Rooftop Films, the Museum of the Moving Image, and MoMA. And in March, I was very fortunate to attend the first ever Cinema Eye Honors for nonfiction film presented by Indiepix.

And I cannot close this year off without mentioning fellow indie film blogger and DIY filmmaker extraordinaire Sujewa Ekanyake’s documentary
Indie Film Blogger Road Trip, in which Sujewa generously interviews me and several other indie film bloggers about the rise and somewhat unseen future of indie film blogs. Just trying to see how many times I could put the phrase ‘indie film blogs’ in one paragraph :)

Like last year, it was very hard for me to narrow it down to just 10, as there were so many interesting and wonderful conversations from which to choose. (If you would like to share some of your favorite panel discussions of 2008, please leave a comment.) I don’t know if it’s a coincidence or just my love of non-fiction films, but most of the Top 10 has something to do in one way or another with documentaries. But much of my underlying reasoning can really be attuned to the following criteria: Information and material that I learned and haven’t seen before at panel discussions, diversity in the members on the panels, great moderators, the way in which the panel or discussion was presented, and the ability to entertain, enlighten, and inspire my readers…as well as those that made me laugh my ass off...you know who you are :)
Here’s hoping for more of these wonderful attributes…as well as new surprises…in the year to come.

#1
A Tribute to St. Clair Bourne
Museum of the Moving Image
Astoria, NY
February 10, 2008
This was a very lively discussion that introduced me to the work of the late St. Clair Bourne, who produced and directed many documentaries about prominent figures in African American culture and history including Paul Robeson, John Henrik Clarke, Gordon Parks, and Langston Hughes. Moderated with much respect and appreciation for Bourne and his work, Warrington Hudlin led a great mix of scholars and critics. Nonso Christian Ugbode also presented a clip montage that he edited of Bourne’s films. That same montage would be screened a month later during a tribute to Bourne during the first annual Cinema Eye Honors, which leads into the perfect segway for my #2 pick…

#2
Cinema Eye Honors Roundtable Discussion
New York, NY
March 18, 2008

To my surprise and delight, halfway through the ceremony for the Cinema Eye Honors, co-chair Thom Powers gathered to the stage four directors whose films were nominated for awards that evening including Alex Gibney (Taxi to the Darkside), Esther B. Robinson (A Walk Into the Sea: Danny Williams and the Warhol Factory), Jason Kohn (Manda Bala) and Pernille Rose Grønkjær (The Monastery: Mr. Vig and the Nun) for a roundtable discussion. While I did kvetch about the lack of light in the seating area for me to see my own notes I was taking, the whole experience of it all trumps that, and I therefore bestow #2 to this very clever and might I say daring idea to break up an award show with a discussion with its honorees.

#3
Stanley Nelson: History in the Making
SXSW Film Conference & Festival
Austin, Texas
March 9, 2008
Stanley Nelson is one of my favorite historical documentary filmmakers. Not only did he show clips from a few of his docs (Jonestown: The Life and Death of Peoples Temple, The Murder of Emmett Till), he also screened a sneak peek clip of his upcoming film Wounded Knee that is now an official selection of the 2009 Sundance Film Festival. It was the first time Nelson showed this clip to the public. I noted in my notes that I often like panels that include film clips because they bring a lot of perspective into the discussion.

#4
Behind the Screens - Under Our Skin
Tribeca Film Festival
New York, NY
April 27, 2008
While I attended several filmmaker conversations myself at this year’s Tribeca Film Festival, the notes provided by contributing notetaker AMPeters helped this particular discussion on the documentary Under Our Skin make it to #4. Peters’ notes solicited the most comments than any other notes on The Film Panel Notetaker this year. It was clear by the subject matter of the film, lyme disease, and the information presented in her notes that people were clearly affected.

#5
My Olympic Summer
New Directors/New Films
New York, NY
March 30, 2008
The Q&A with My Olympic Summer director Daniel Robin at New Directors, New Films is clearly an example of fiction blurring the lines of non-fiction, a topic addressed by many a film blogger this past year. A re-telling of the events of the 1972 Munich Olympics with real home movies that are manipulated into what I felt to be an artitistic and compelling story, the reaction by audience members during the Q&A who thought it was all real, only to learn that it was non-fiction, seemed to shock and irk many of them, which made for a tense, yet very important discussion.

#6
Acting Out
NewFest
June 14, 2008
Notetaking newcomer Ultradevotion provided notes from the Acting Out panel featuring out actors and filmmakers such as Heather Matarazzo. 2008 was the first year The Film Panel Notetaker attended NewFest, and ultimately a milestone year for the LGBT community as same sex marriages were declared consitutional in the state of Califoria, but then upsettlingly repealed in November when Proposition 8 received the majority vote, which has since then lead to nationwide protests.

#7
No Borders Case Study with John Hadity
Independent Film Week
Wednesday, September 17, 2008
New York, NY

2008 marked my 8th visit to IFP’s annual Filmmaker Conference (fka IFP Market & Conference), but the first year I was invited to attend a seminar that was not a part of the conference itself, but rather the No Borders International Co-Production section. That seminar was a rather interesting and informative talk on single picture financing presented by finance guru John Hadity.

#8
Shooting in India
Mahindra Indo-American Arts Council (MIAAC) Film Festival
New York, NY
November 8, 2008
This was also my first time at the MIAAC Film Festival and since I’ve never heard people talk about what it’s like to shoot a movie in India before, my interests were immediately sparked. Parvez Sharma (A Jihad for Love) did a nice job moderating a group of panelists who were either from India and shot a movie in India or weren’t from India and shot a movie in India. Either way, all had interesting stories to share.

#9
Herb and Dorothy
Silverdocs AFI/Discovery Channel Documentary Festival
Silver Spring, MD
June 21, 2008

Herb and Dorothy the movie was quite a nice change of pace with its light-hearted subject matter compared to more hard-hitting, yet equally well-made documentaries I saw at Silverdocs. So it was even nicer a treat to see Herb and Dorothy the people make an appearance at the Q&A after the screening along with the director Megumi Sasaki.

#10
Actors Dialogue: Mary Stuart Masterson & Melissa Leo
2008 Woodstock Film Festival
October 5, 2009
Woodstock, NY
Martha Frankel nearly brought me to tears with laughter for a second straight year in a row with her casual yet very-well researched moderation for a conversation with actresses Mary Stuart Masterson and Melissa Leo at the Woodstock Film Festival. Hey, Martha…stop being so funny so I can let other panels have a chance to be on here next year, will ya?

Honorary #11
Here's to Life: A 40th Anniversary Tribute to One Life to Live
New York, NY
June 10, 2008
I try not to veer off topic too much on The Film Panel Notetaker, but how can I leave out one of my very favorite panels of the year? Thanks again to Ultradevotion for her very colorful commentary!

Labels: , , , , , , , , ,

Thursday, June 12, 2008

NewFest 2008 Filmmaker Q&A Recaps

NewFest 2008
Filmmaker Q&A Recaps


Antarctica – June 6, 2008
Directed by Yair Hochner

“Shabbat Shalom,” proclaimed Hochner, who hails from Israel, that Friday evening with a hardy chuckle in reply from the audience. Hochner said it was his dream to premiere Antarctica at NewFest. In Israel, only 20 people saw it. Even not all of the cast and crew came. Hochner described his film as a light romantic comedy with a twist. “North Americans like that,” he said.

At the Q&A, the first question thrown out was why was the character of Shoshana, the mother, played by a man in drag? Hochner replied that he thought it would be most appropriate. He was a big fan of Divine (from the John Waters movies). The actor, Noam Huberman, in the film has his own theater show in Israel. He was a little bit afraid to play this part, because nobody has ever played such a role in Israel before. Before casting this actor, Hochner said an A-list Israeli actress wanted to do it, but he declined for the other actor. When asked how the plot was conceived, Hochner said when he started writing the script, all of the characters were straight. Then when he came out, he changed them all as gay. As for the title Antarctica, he said it reflects the characters and their mood and situations as being frozen who need to open themselves to love somebody. It’s a state of mind.

Bi the Way – June 6, 2008
Directed by Brittany Blockman & Josephine Decker

Didn’t attend this screening at NewFest, but did at SXSW. Here are those notes.

Between Love & Goodbye – June 8, 2008
Directed by Casper Andreas

According to Andreas during the Q&A, Between Love & Goodbye was shot in December of 2007 over a period of 18 days. He called it a mixture between Green Card, The War of the Roses and A Streetcar Named Desire. The film is a love story set in New York City about two men, one a musician (Kyle played by Simon Miller) and the other a French actor (Marcel played by Justin Tensen) who marries a lesbian (Sarah played by Jane Elliot) to get his green card. Their relationship starts to untangle when Kyle’s transsexual ex-prostitute and fellow band member sister/brother (April/Cole played by Rob Harmon) moves in causing tension between the couple. The cast was also present for the Q&A. One audience member blatantly asked Harmon the following question, “Where did you do most of your research being such an angry cunt?” to which Harmon replied, “My mother’s up there (in the audience).” Despite this, Harmon playfully went along and continued answering by saying that he had a lot of fun playing the part and didn’t really do any research. He did spend sometime with Sabrina, a real transsexual woman on the set, who taught him a lot. Andreas followed up by saying that some people thought the April/Cole storyline was a little controversial, since the character keeps going back and forth between genders, but he wasn’t trying to say anything nasty in particular about transsexuals. Was any of the story autobiographical, one person asked the Swedish-born Andreas, who said only some parts were. Some of his friends have gone through similar experiences, but this and his other films are really just about being young and gay in New York.

Whirlwind – June 9, 2008
Directed by Richard LeMay

Didn’t attend this screening, but did a One-on-One Q&A with LeMay along with screenwriter Jason Brown last week.

Be Like Others – June 12, 2008
Directed by Tanaz Eshaghian

NewFest’s Basil Tsiokis introduced the evening’s program which began with Bram Vergeer’s short documentary 7 Years, which examines homosexuality in Kenya, followed by Eshaghian’s feature doc Be Like Others, a very compelling story of men in Iran who decide to have sexual reassignment surgery to become woman because their country outlaws homosexuality, yet according to their religious law, being a transgendered person is legal. Neither Veneer nor Eshaghian were present for a Q&A after, but Tsiokis had mentioned beforehand that both films were part of the festival’s Activism and Repression program that feature places around the world where being gay is a crime. “It’s important to keep this in mind as we think about our own rights,” he said.

Labels: , , , , , ,

Friday, June 06, 2008

One-on-One Q&A: Whirlwind's Richard LeMay & Jason Brown

One-on-One Q&A:
Whirlwind
Director Richard LeMay & Screenwriter Jason Brown


WHIRLWIND TRAILER





In advance of the New York Premiere of Whirlwind at NewFest: The 20th Anniversary New York Lesbian, Gay, Bisexual & Transgender Film Festival, I spoke with the film’s director Richard LeMay and screenwriter Jason Brown for a One-on-One (or in this case one-on-two) Q&A. Whirlwind is a narrative feature about a group of 30-something gay men in New York City whose friendships are tested when a new guy enters the equation and toys around with their lives while they’re planning a party to celebrate an older gay couple’s 25th anniversary. Whirlwind screens at NewFest on June 9th at 5:45pm and June 13th at 3:15pm, both at AMC Loews 34th Street in Manhattan.

TFPN: How did you come to collaborate together on Whirlwind?

LeMay: We’ve been friends for a while and I had done a movie previously that I made really low budget that did very well and got worldwide distribution called 200 American. We talked about the possibilities of working together and how much fun it would be.


TFPN: What inspired you to make this particular story? What did you draw from your own lives into it?

Brown: We talked a lot about Richard’s last film that was also gay subject matter. A lot of people had responded to it well from around the world. It had a lot of heart to it telling stories about people who were real people and just going through life and having issues. I was really intrigued with taking that to another step and showing slices of what Richard says he never sees in gay cinema. We started throwing out a lot of “what ifs?” Richard and I came up with the story together. I don’t think I would have felt comfortable tackling this without working with him on that level because being straight; it’s just not my experience. I was too scared it would be inauthentic. My main approach in writing the actual screenplay once we got the story down was that I would never say, “what would a gay guy say here?” I just would say, “what would a person say?” or “what would this character say?” Some of the things that come out of their mouths you might consider something a gay person might say more than a straight person, but had to do more with character and less with thinking about the whole approach as I’m writing a gay film. I was just writing a story about these guys.

LeMay: For starters, we were talking about my last film. One of the things that caught me off guard was that at film festivals in 2003/04, people would line up and shake my hand and say, “thank you for a happy ending.” I never really thought about it before. Many gay films are issue-oriented which is really important like AIDS, homophobia and whatnot, but I just wanted to make more movies with a positive slant for gay cinema. And even though there’s a lot of negative stuff that comes out in the film, I think there’s a really positive message at the end. I think that was a catalyst of how we were going to steer this.

Brown: The main story is about a group of 30 year olds and there dealing with more serious life issues like settling down and growing older. So that’s part of the slant you don’t often see. Also, another couple in the film is 25 years into their relationship.

LeMay: The fact that we were celebrating an older gay couple, maybe it’s out there, but I’ve never seen it. When we were shooting the party scene at the end, I was looking at the monitor and I saw those two guys kissing and everyone claps and celebrates, and I just thought, that’s really cool. We looked over a whole demographic; it’s usually the hot young 20-somethings, go-go boys or transvestites. All that stuff is great, but it was just kind of nice to see 30-something guys who are your average people. They’re not doing anything crazy with their lives. It’s just the dynamic of when you’re in your 30s. I speak for myself, being a gay man, you kind of just settle into this family of friends. And they kind of become your family outside of your actual family. No matter how dysfunctional it can be, which these characters are, in the end, they’re all there for each other. That was something that intrigued me.

TFPN: The film starts with a character driven story of these men who have a very tight bond with one another, until Drake, the new guy, comes into their lives and pulls the wool over their eyes, creating the film’s main conflict. Did you draw upon any other infamous characters throughout film or literature to create this character, or is he based on an actual person?

LeMay: It wasn’t really based on anyone in particular or characters from other movies. He was just kind of a catalyst to drive a wedge in between these people’s lives.

TFPN: (To LeMay) Which character do you resemble the most?

Drake, no just kidding! Good question. I never really thought about it. Everybody can see themselves in somebody. I see myself in a lot of different characters and at different times in my life. I’m probably a combination of Sean and Bobby. I am a bit regimented and I’m also a bit discontented at times.

TFPN: (To Brown) Did your experience training at Writer’s Boot Camp prepare you for this screenplay?

Brown: Yes, absolutely. You have to learn how to tell a story and craft a piece. Some writer’s can do it sort of naturally. We see enough films that we know kind of what has to happen, but unless you have vocabulary to really understand how to craft and compose a story, how to execute certain things, it’s difficult to get through it without wasting tons of time on thousands of drafts. I instruct at Writer’s Boot Camp now. The tools have definitely been a huge help in the whole process.

TFPN: What are your distribution plans for Whirlwind? Any more festivals coming up?

LeMay: We’ve been accepted to OutFest LA (July 15th at 9:30pm), which is pretty huge. And we’ve been approached by several distributors. We just have to start feeling the offers and see what happens with it.

TFPN: What are you both working on next?

LeMay: I’m producing a movie called Daybreak in the Bahamas this summer. I leave next Saturday.

Brown: Richard and I have a horror film that we’re trying to put together.

Labels: , , ,

Wednesday, May 14, 2008

"Bi The Way" Making New York Premiere at NewFest

Speaking of the NewFest film line-up, be sure to check out the New York premiere there of Brittany Blockman's and Josephine Decker's documentary Bi The Way. I caught the film down in Austin, TX, during the South by Southwest Film Festival. Here are my notes from that Q&A.

Bi The Way is a documentary on bisexuality and the whatever generation featuring Dan Savage (sex columnist), Michael Musto (Village Voice), Jonathan Caouette (Tarnation) and 100 other people from across the US and across the sexual spectrum.

Screening: FRIDAY, JUNE 6th at 5:45 pm in the NEWFEST Film Festival, Loews 34th St Theater (at 8th Ave), New York City.

Labels: ,

NewFest Announces 2008 Line-Up

The New York Lesbian, Gay, Bisexual, and Transgender Film Festival (NewFest) announced earlier this week the program of films and events for the 20th annual festival to be held June 5-15. Among the activities at NewFest are several panel discussions planned during the 5th Annual NewFestFilmmakers Forum on June 14-15 at the John Outcalt NewFest Lounge. Six panels will cover a variety of topics, ranging from LGBT networking to the practical money side of filmmaking. There will also be a panel called Acting Out, which is a discussion with out actors and filmmakers.

NewFest will take place from June 5-15 and will be hosted by AMC Loews 34th Street Theater (312 W 34th St. at 8th Ave). Full program, schedule, and ticketing information will be available online at www.newfest.org by May 16.

The Films of NewFest 2008:

Feature Films

2 Mums and a Dad
14 Degrees Eastwards
Affinity
The Amazing Truth About Queen Raquela
Another Gay Sequel: Gays Gone Wild!
Antarctica
Ask Not
Be Like Others
Before I Forget
Being Proud Black & LGBT in America
The Beirut Apt
Between Love & Goodbye
Between Something & Nothing
Bi the Way
Boystown
Butch Jamie
Chip & Ovi
Ciao
Clandestinos
Clapham Junction
Daddy's Love
Devoteé
Don't Go
Drawn Out Love
Dream Boy
Dreams Deferred: The Sakia Gunn Film Project
Drifting Flowers
Ebony Chunky Love: Bitch Can't Get a Date!
Eleven Minutes
Equality U
Fairytale of Kathmandu
Fashion Victims
Fatherhood Dreams
The Houseboy
In Sickness and In Health
An Island Calling
It's STILL Elementary
Japan Japan
Just As We Are
Karl Rove, I Love You
King Size
La León
Looking for Romeo
The Lost Coast
Love My Life
Luchando
Meadowlark
Mom, I Didn't Kill Your Daughter
Mulligans
The New World
No End
OMG/HaHaHa
On the Other Hand, Death: A Donald Strachey Mystery
Out In India: A Family's Journey
Out Late
Pageant
Ready? OK!
Saturn in Opposition
Searching 4 Sandeep
The Secrets
Seeds of Summer
The Sensei
Sex Positive
She's a Boy I Knew
Simply Love
Solos
SqueezeBox!
Straight
Suddenly, Last Winter
Sugar Rush
The Taste of Nothingness
This Kiss
U People
The Universe of Keith Haring
What Love Means
When I Knew
Whirlwind
The World Unseen
Wrangler: Anatomy of an Icon
You Belong to Me

Labels: